LITOTES OF THE UNFORGOTTEN
by R K Puma © 1985


Be kind to yourself,
it is only one and perishable.

- Allen Ginsberg

CONTENTS

Litotes: of the UnforgottenAlong history, forever
     some woman dancing,
           making shapes in the air...

      - Muriel Rukeyser

ABSTRACT


Abstract & Contents

Why I Write Poetry

Chronicle

The Visit

1966 - The Ebb Tide

This A.M.

Disposability

Small Atrocities

What It Is

The Magician

Quarters Change

For Others Beliefs

On Cue

You Scare Me

Aboard the Dixie Lee

Perfidy

Litotes: of the Unforgotten

    
The poems in Litotes: of the Unforgotten are about resiliency, the necessary ability to recover or adjust to changes or misfortunes. Themes of loss, of threatening circumstance, of insanity, are repeated; the resiliency, the willingness to rise from the experience appears in the voice which unifies the poems.

Predominant themes in this collection speak not so much of innocence as of experience; however "The Visit" is the only poem with a counterpart, the Spenserian sonnet "Chronicle." The former speaks to the positive side of heritage, the latter the negative. "Chronicle" is not too unlike Roethke's "My Papa's Waltz," a serious, if not frightening circumstance told matter-of-factly. Hopefully, all of the poems are understated. They speak of experience and ultimately of enlightenment. The enlightenment and the challenge to gain from the experience are the affirmative ingredients of the poems. The poems dealing with death and loss attempt to be unsentimental, yet affirmative as in "Litotes," "For Others' Beliefs," and "The Visit." "Quarters Change" deals with the end of a relationship similarly, as an opportunity for growth, even as a beginning associated in the poem with Spring.

Many focus on the parental relationship to the child. In the poems "Dixie Lee II," "Perfidy," and "For Others' Beliefs" the speaker is the inevitable link between the child and the experience; similarly in "The Visit" and "Chronicle" we should gain a sense of reverberance and relearning.

Though they are intentionally understated in tone, hopefully there is a quality of high energy, as in "Litotes" or "Why I Write Poetry." In the latter, I'm suggesting that we bare ourselves primarily to cleanse ourselves and to make love. "Poetry" points out that baring ourselves is a form of self-expression when it involves others; in the analogy of stripping/writing poetry, it follows that in the baring of ourselves there is the greatest potential for learning. In addition, the poems should convey the message that life is too important to be taken too seriously.

Litotes: \LIE-tuh-teez, LIT-uh-teez, lie-TOH-teez\:(noun): an assertation of an affirmative by negating its contrary. A form of exaggeration (syn.: understatement) and emphatic hyperbole. Rhetoric to emphasize a certain aspect through moderate presentation. Sometimes referred to as a Trope: a figure of speech, especially one that uses words in senses beyond their literal meaning. Litotes orig.: from a Greek word meaning simple, and another, meaning linen cloth.

Example: To say something is unforgotten is to emphasize that it is clearly and distinctively remembered (if not permanently embedded). RK's mother once gave us an apt litote-- when Jimmy Carter's Presidential campaign introduced us to his daughter, Amy; Rebe said “She's no Shirley Temple.” If you’ve ever expressed a job well done, with “Not bad...” you understand, it's “no day at the beach” to avoid this literary device.

for Chance

Litotes Collection | Anna Lea | Annie Moon | Chance | CielClams | Coke & a Smile | Freebies | Images Ago | Info | Juke-Box | Kewl Lynx | Keyboarding | Buddy Miles | Murden's | Ocean View Nickel Tour | Frank | Rebe | Oyge | Promise | Shellfish | Stazja | Tony | Willoughby Photos | Searching |
© 2010 R K Puma     ro@rkpuma.com
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